Audio Examples
- Example 3.12a - 16 isochronous pulses, two 4/4 bars
- Example 3.12b - 16 non-isochronous pulses, two 4/4 bars
- Example 3.13a - many pulses as two 4/4 bars
- Example 3.13b - 16 non-isochronous pulses, 4.57 4/4 bars
- Example 3.14a - 16 isochronous pulses, two 4/4 bars, inverted accents
- Example 3.14b - 16 isochronous pulses, two (3+3+2) bars
- Example 3.15 - 16 isochronous pulses, two 3/4 bars
- Example 3.16a - random pulses, four 4/4 bars with 4 layers
- Example 3.16b - random pulses, four 4/4 bars with 5 layers
- Example 3.17a - 16 isochronous pulses, 4/4 bar, one bar = 8 pulses
- Example 3.17b - 16 isochronous pulses, 4/4 bar, one bar = 7 pulses
- Example 3.17c - 16 isochronous pulses, 4/4 bar, one bar = 6 pulses
- Example 3.17d - 16 isochronous pulses, 4/4 bar, one bar = 5 pulses
- Example 3.17e - 16 isochronous pulses, 4/4 bar, one bar = 4 pulses
- Example 3.17f - 16 isochronous pulses, 4/4 bar, one bar = 15 pulses
- Example 3.18a - Isochronous pulses and increasing bar length
- Example 3.18b - Static bar length and slowing pulses
- Example 3.19a - Hi-hat sample with varying length
- Example 3.19b - Pulses with reverb effect
- Example 3.20 - simple isochronous drumbeat
- Example 3.21a - non-isochronous drumbeat with duplications
- Example 3.21b - non-isochronous drumbeat with fewer duplications